The Story Behind Adele’s “Someone Like You”

Published Categorized as Journal

As a songwriter myself I’ve all the time felt that one of the best indicators of how talented artists really are is, What can they do with just one instrument and their voice? No rhythm part, no strings, no synthesizer… nothing. Just you and your instrument. I can think of several superb examples over the years, corresponding to Simon and Garfunkel’s “For Emily, wherever I could find her,” Elton John’s “Speaking old soldiers,” and Cat Stevens’ “Candy Scarlet.” However these and different examples have just been trumped by Adele’s smash hit “Someone like you.”

How profitable was this tune? Try this out: it is the solely song in the whole history of the Billboard Scorching 100 charts that consists of just a piano and a vocal to ever hit the number one spot. Over a thousand songs have hit 1 since Billboard began preserving track in 1958. Adele’s is the primary of its kind to succeed in the top.

So what was behind this groundbreaking ballad? We know that Adele ended an eighteen month-long relationship with a 30-yr old man whom she was convinced she would marry and that this breakup inspired her two different hits, “Rolling in the Deep” and “Rumour has it.” Sadly (or maybe not, considering what number of copies it sold), the same doomed romance inspired “Someone like you” as well.

But now there was a new added twist. Her ex had become engaged to another girl a number of months after leaving Adele. As she herself put it in an interview, “… once I discovered that he does want that (marriage) with someone else, it was just the horrible-est feeling ever. But after I wrote it, I felt more at peace. It set me free. I’m wiser in my songs. My words are always what I can never Say Hello I Say Goodbye (in real life). But I didn’t assume it would resonate… with the world! I am by no means gonna write a song like that again. I feel that’s the song I will be identified for.” In her imagination she noticed herself as middle-aged and still single, looking up her ex years later only to find that he married somebody stunning, had children, and was dwelling “fortunately ever after.”

She co-wrote the track with Dan Wilson of Semisonic fame. However her contribution to the music didn’t precisely arrive simply: “I wrote that tune on the top of my bed. I had a cold. I used to be waiting for my tub to run. I would discovered he’d received engaged. And it blows my mind how things cross over like that.” Perhaps more songwriters ought to contract viral syndromes.

She and Wilson recorded a “demo” of just her voice and Wilson playing the piano, expecting that co-producer Rick Rubin would add strings and choirs to turn it right into a lush, vast ballad. As a substitute as insiders listened to it and were persistently brought to tears the duo decided to maintain their first-draft “demo” instead.

By the way, that is not the primary time something like that has happened. Bruce Springsteen’s haunting 1982 acoustic record “Nebraska” was mastered straight from a cassette stuffed with demos that the Boss kept in his pocket (without a case) whereas the E Street Band performed the stuffing out of all the songs. Solely later did everybody, together with Springsteen, come to realize that the cassette in his back pocket was the most effective version.

No matter how it was recorded, give credit where credit is due. Heavy instrumentation would most likely solely have diluted the ability of Adele’s emotional vocal. Some things, wisely, ought to be left properly sufficient alone.